Tuesday, 20 January 2015

Two Hares - a midden of ripped-out texts at the border of the Tribal Zone of the Mind (introduction)

But the most important and vital distinction between the sublime and the beautiful is certainly this: that if, as is allowable, we here confine our attention in the first instance to the sublime in objects of nature (that of art being always restricted by the conditions of an agreement with nature), we observe that whereas natural beauty (such as is self-subsisting) conveys a finality in its form making the object appear, as it were, preadapted to our power of judgement, so that it thus forms of itself an object of our delight, that which, without our indulging in any refinements of thought, but, simply in our apprehension of it, excites the feeling of the sublime, may appear, indeed, in point of form to contravene the ends of our power of judgement, to be ill-adapted to our faculty of presentation, and to be, as it were, an outrage on the imagination, and yet it is judged all the more sublime on that account.
The Critique of Judgement

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